Identity Crisis

Mrs. Moll seems to be having a recurring crisis of identity, with each of her dramas outlined under a new moniker (either gained by gossip or marriage).  She has, at various points so far, been known as, "the little gentlewoman," "Mrs. Betty," "the pretty widow," and "Mrs. Flanders;" and these do not include the names gained by the multiple marriages.  Each of these names have bought with it a new hope of an improved lot and opportunities, only to entertain some new drama and dropped for another pseudonym.

One could argue this is just the way of criminals, or a exercise to maintain anonymity within the autobiographical format.  Criminals are often rather proud of their accomplishments, however, and using aliases or not, are known for their deeds.  Still, I think Moll Flanders is rather attached to her identity (the one currently used, at least), and is anonymous only for personal safety.  She wants so badly to become this woman, secure in estate and marriage enough to be a pretty and sensible woman; and this woman must have a name she just has not found yet.  If this goal cannot be achieved as Mrs. Betty, perhaps the pretty widow will have better luck.  Our Moll admits, "I resolv'd therefore, as to the State of my prsent Circumstances; that it was absolutely Necessary to change my Station," and how else to do this but, "make a new Appearance in some other Place where I was not known, and even to pass by another Name" (64).

"Flanders" has been glued to her by the title of our novel and by infamy within Newgate.  Indeed it seems her most "wicked" acts have been committed in that name (marrying her brother, for one, albeit unintentional).  Yet she lives to become rich and a penitent, quite removed from the the girl so easily fooled by the devil's temptations; and it is this name, this final achievement of status and security, that she wishes to protect with anonymity.  Sure, the pending cases at the Bailey might be a threat for her discovery, but she risks losing the life and identity she has suffered so long to know.  "Flanders" is used up, a crook, and left to squander in her wickedness, while the new Moll can rest happily in the final name she has established.